PDF Download Seven Days in the Art World, by Sarah Thornton

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From Publishers Weekly

Starred Review. The hot, hip contemporary art world, argues sociologist Thornton, is a cluster of intermingling subcultures unified by the belief, whether genuine or feigned, that nothing is more important than the art itself. It is a conviction, she asserts, that has transformed contemporary art into a kind of alternative religion for atheists. Thornton, a contributor to Artforum.com and the New Yorker, presents an astute and often entertaining ethnography of this status-driven world. Each of the seven chapters is a keenly observed profile of that world's highest echelons: a Christie's auction, a crit session at the California Institute of the Arts and the Art Basel art fair. The chapter on auctions (where one auction-goer explains, [I]t's dangerous to wear Prada.... You might get caught in the same outfit as three members of Christie's staff) is one of the book's strongest; the author's conversations about the role of the art critic with Artforum editor-in-chief Tim Griffin and the New Yorker's Peter Schjeldahl are edifying. Thornton offers an elegant, evocative, sardonic view into some of the art world's most prestigious institutions. 8 illus. (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From Booklist

*Starred Review* Art and business, personal quests and personality cults, big bucks and the triumph of concept over beauty, being cool and in the know—these are the cardinal points in the contemporary art world. Enter Thornton, an art historian and sociologist with moxie and a brilliant game plan. Willing to ask obvious questions, she infiltrates the seven circles of this competitive realm. An astute observer and stimulating storyteller whose crisp sentences convey a wealth of information, Thornton marvels at the military precision of a Christie’s auction and the wild improvisation of an art-school critique. On to Art Basel, a major international art fair where the “hard buy” rather than the hard sell is the rule since an artist’s reputation is tied to those who own his or her work. Thornton witnesses the final stage in the judging and presentation of the Turner Prize, watches editors at work at Artforum, attends the coveted Venice Biennale, and spends a dizzying day with the wizardly artist-entrepreneur Takashi Murakami. Thornton’s uniquely clarifying dispatches from the art front glimmer with high-definition profiles of artists, dealers, critics, and collectors, and grapple with the paradoxes inherent in the transformation of creativity into commodity. --Donna Seaman

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Product details

Hardcover: 304 pages

Publisher: W. W. Norton & Company; First Edition edition (November 3, 2008)

Language: English

ISBN-10: 039306722X

ISBN-13: 978-0393067224

Product Dimensions:

6 x 1.1 x 8.5 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

169 customer reviews

Amazon Best Sellers Rank:

#259,923 in Books (See Top 100 in Books)

This book helps us understand how confused the elitist tendencies of the art establishment have made the world of art. But it is also misleading - because the topic is NOT the "Art World". Ms. Thornton covers only that segment of art that she enjoys - then claims it’s exceptionally important. She also fails to be a neutral writer or ethnographer.This book is not ethnography. Ethnography involves a disinterested observer (or observer with a pre-existing opinion taking an intentionally neutral position) and going into an environment with people to study their interactions. First, and foremost, to be valid ethnography it requires that the writer describe how the specific population segment they study relates to other populations.It’s also not ethnography in that it’s mostly record of interviews - interviews that don’t add much. That it’s reporting isn’t surprising - her career has been spent reporting. But the claim to be much more is specious.Ms. Thornton does admit in her afterword to the later edition to being an enthusiast for contemporary art - and seems incapable of understanding or explaining where contemporaray fits up against a much, much larger world of art and set of artists. (I suppose it was a great sales tactic though for hyping up the book and getting it bought by a publisher.)She also fails to sort out how to observe neutrally - no matter her opinion. Many of the characters she’s with assume persona’s of "edgy" while truly being pretty mundane - a fact she misses. She also fails to see (apparently) that they are rehashing essentially the same things that have been made for nearly 70 years...that little of the theories postulated by the collectors, critics, or artists are “new”.The writing covering the first two days is quite compelling and I enjoyed those parts (tho’ frustrated by her inability to be an ethnographer). The remaining 5 days were pretty dull writing - but I wanted to make sure I read through each of the events. I suppose her “studio visit” was most hilariously odd. It wasn’t a visit to a studio - but to a factory with the tour given by the CEO. Yet rather than search ethnographically to understand and give insight to this variation, she wholeheartedly embraces the CEO.As a last thought, she is fascinated by art that has the approval of this elite crowd - it’s the art she embraces. What strikes me is that she seems to lack the interest and enthusiasm for art that doesn’t have that approval - art which probes the depths of the human and expresses what’s essentially human. Certainly we could all argue about what makes something to be art and never resolve that question - because everyone answers the question differently. But this fact is what is so sadly missing from this book - the only important question in the true world of art.

This book was just okay...nothing terribly interesting about it. Overall, I enjoyed the chapter about the Christie's auction the most, as it seemed like a very entertaining "show". The chapter called "The Magazine" was so boring and esoteric that it was virtually unreadable. The rest of the chapters were alright, with a mix of interesting and mind-numbingly dull sections....(a bit how I feel going to a modern-art gallery itself). I did expect to learn more about the art world than I did in this book, so it ended up being fairly disappointing in that respect. The saddest aspect of all is that I had a suspicion confirmed...the art world at this level is controlled by the rich and elite, so it's just another big corporate business! (Just read the chapter about the "artist" Murakami and you'll see what I mean).

This book is an ethnography (the writer as participant/observer) about the art world. Its message about art as a commodity and the art scene as a performance piece in itself came as no surprise to me as my husband is an artist. At one time we lived in New York and he was represented by a New York Gallery. When you read this book you will understand why we moved back to Alaska. Being an artist in the art world is like wearing a sign on your back that says 'hit me' or else feeling like you're some kind of wind-up toy that must perform in a set way.The book is divided into seven chapters, each elucidating one specific aspect of the art world. These chapters are:The Auction - About a Christie's big-time auction in New YorkThe Crit - About an art criticism class at CalArtsThe Fair - The Basel Art Fair in SwitzerlandThe Prize - The in's and out's of the Turner prize, awarded by Britain's Tate MuseumThe Magazine - About Artforum, an art magazineThe Studio Visit - Takeshi Murakami's studio and his work as an artist and entrepreneurThe Biennale - The Venice Biennale (or Studio 54 revisited)The commodification of art along with the hierarchy of dealers, collectors, curators and artists is in place all along the art feeding chain. While it was no surprise to me, it edified the sad state of the affairs in the art world. This book was written during the economic and art boom so the situation has likely changed along with the expendable money available to hedge fund founders and the general public.I was amazed to find out that one can not just buy art. Dealers like to choose who they will sell art to - they want art to go to an A-list collector and often collectors get on line to buy a piece of art by a particular artist. Production often does not meet the needs of consumption.If you are interested in details of the art world, you might enjoy this book. If you're easily jaded or have a weak stomach, I'd skip it. It goes into all the gory details of every aspect of art, from the artist who produces the work on up (or is it down)

LOVED this book, could not put it down. I am an artist and bought this based upon the other reviews and I am glad I did. I learned more about the art world and how it works. This book is like an insider's view of how the art world works, how galleries work and what each player in the game does. Very good information that you can use to educate yourself about the art world game in order to become more successful.

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Ebook Free The Royal Hunt of the SunBy Peter Shaffer

Ebook Free The Royal Hunt of the SunBy Peter Shaffer

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History / Casting: 22m, 2f, extras / Scenery: Cyc, drops, inset

The Spanish expedition under Pizzaro to the land of the Incas told in dazzling spectacle and moral chiaroscuro. After general absolution for any crimes they may commit against the pagan Incas, the conquerors set forth upon the sea. The Inca god is a sun god, ruler of the riches and people of Peru and thought to be immortal. But the Spaniards have come in conquest rather than in reverence. There is misunderstanding, confusion, and slaughter: the Spaniards kill 3000 unarmed Incas and take the sun god captive. The ransom is 9000 pounds of gold. The avaricious Spaniards mutiny, try the sun god in kangaroo court and garrote him. He does not revive the Incas behold their dead god.

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• Sales Rank: #1486527 in Books
• Published on: 2010-07-26
• Original language: English
• Number of items: 1
• Dimensions: 7.99" h x .24" w x 5.00" l, .30 pounds
• Binding: Paperback
• 116 pages

About the Author
Peter Shaffer is a dramatist familiar to American audiences as the author of Equus and of a string of other theatrical successes: Five Finger Exercise, the Private Ear and the Public Eye, The Royal Hunt of the Sun and Black Comedy.

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Ebook The Story of HoraceBy Alice M Coats

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

• Sales Rank: #2757273 in Books
• Published on: 2015-08-08
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .25" w x 6.14" l, .57 pounds
• Binding: Hardcover
• 56 pages

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Download PDF The Artisan Jewish Deli at Home, by Nick Zukin

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Review

"Deli fans and DIYers alike will enjoy traditionalJewish recipes like Mammy's Savory Noodle Keegal, Honey-Sweet Challah, and Kasha Vamishkes with Wild Mushroom Sauce." (Cookbook Digest)

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About the Author

Michael C. Zusman: Michael is a state court judge by day and a freelance restaurant and food writer at night, working for several local publications in his Portland, Oregon, hometown. Michael is also a serious amateur baker and supplied the bread recipes used by Kenny & Zuke’s Delicatessen. When he’s not spending time with his teenage daughter, keeping tabs on Portland’s vibrant and ever-evolving restaurant scene, or playing with a batch of dough, Michael is a travel fanatic, chalking up miles to any destination with a strong culinary tradition. Singapore, Sydney, and New York City are top-notch, though his favorite restaurant anywhere is Chicago’s Alinea.Nick Zukin: Nick is the “Zuke” in Kenny & Zuke’s. A prominent Portland food blogger, he approached Ken “Kenny” Gordon in 2005 with a recipe for killer pastrami and the dream of connecting with his heritage.The proposition: open a Jewish deli specializing in house-made pastrami and hand-rolled bagels. After testing the waters selling at the farmers' market and at pop-up brunches, Nick helped open the first of a new wave of Jewish delicatessens focused on producing artisanal eats. Ever versatile, Nick recently debuted a solo venture, Mi Mero Mole, a Mexican restaurant specializing in the street food of Mexico City.

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Product details

Hardcover: 272 pages

Publisher: Andrews McMeel Publishing; Original edition (September 3, 2013)

Language: English

ISBN-10: 1449420079

ISBN-13: 978-1449420079

Product Dimensions:

8.2 x 1 x 10.2 inches

Shipping Weight: 2.6 pounds

Average Customer Review:

4.6 out of 5 stars

61 customer reviews

Amazon Best Sellers Rank:

#787,354 in Books (See Top 100 in Books)

I read the reviews which are critical about the amount of ingredients in volume. The recipes came from many chefs and I think the author wants to preserve the original recipes whether by volume or weight. I subscribe to measuring by weight and adjust by personal taste and preferences.The most important seasoning is salt. I now know that 1 T salt strength is not the same by different brands. One T Diamond Crystal kosher salt is 1/2 T table salt or sea salt and a bit less than 1 T Morton Kosher salt. But by weight, all type of salts is practically the same strength by weight.Same thing for flour. 1 C flour scoop the measuring cup and level method (Julia Child's method) is heavier than the scoop the flour with a scoop into the measuring cup then level (other baker's method). The Julia Child's method, 1 C bread flour weighs 150 gr, the other method yields 130 gr. I think the recipe for the Deli rye bread, the baker needs to use the Julia Child's method because the recipe calls for 4 C or 600 gr bread flour. I started out with 4 C or 520 gr bread flour. The dough was extremely wet. I slowly added another 80 gram flour, the dough became manageable. Still wet but with rye flour it was the correct consistency.If you can stick with the weight measurement, I think you can follow all of the recipes and have reasonable success. I am not Jewish but have tried many rye bread recipe to judge whether a recipe would work. The loaf came out beautifully. This recipe is a keeper.To me, the recipe instructions are easy to understand. It is a wonderful book. I had a heck of time getting a hard copy. A used copy is about $150 -1,700 currently. It's like a conspiracy.The kindle version is good. I always print out a copy and write notes on it for future reference.

This book is filled with foolproof recipes for so many of our favorites. For years I'd been scouring the web for what "seemed" liked the perfect stuffed cabbage or rugelach, and now every Jewish food recipe I'll ever need is in this one book.I was a recipe tester for this book and blown away at how easy the recipes were to follow, and how great everything came out! The above mentioned stuffed cabbage ("cabbage rolls" in the book) are now a family favorite and the only recipe I'll ever need for this. The chocolate-fig rugelach is the best. Light crispy outside, tender flaky inside but not at all dry, figgy-chocolate filling, just great.Other favorites I've made from this book are the pickled onions, pickle relish, challah french toast, blintzes (the easiest crepe recipe ever!), the chicken salads, goulash, oh...and a potato latke recipe that you make in the food processor and pour the batter like pancakes. SO much easier than the traditional method and with great flavor. The traditional recipe is also in the book. The ginger apple sauce in the book goes great with the potato pancakes.The chocolate dipped macaroons are also a winner. Make sure to let the tops of the cookies get golden colored, that way you have that nice toasted-coconut flavor.I bought several copies of this book for family and need to buy a few more. This is a great book.

I'm a total amateur when it comes to cooking, but I'm also a sucker for deli, so I was excited to get the Kindle edition of this book. So far, I've made the zucchini latkes with tomato relish, the stuffed cabbage, and the autumn brisket. The recipes were all very easy to follow and thorough. There is room for improvisation if you are into that. The latkes and relish turned out amazing. The stuffed cabbage was a little bland and not exactly what I was expecting, but still good (and I have some ideas for ways to spice it up next time). And I overcooked the brisket (my fault, not the book) but it was still decent. The recipes are all sized for six or more, so we had plenty of leftovers.

I liked the interesting background information, but would have liked more recipes. I purchased this out of print book on kindle. A hard copy costs way more than I can afford to spend on a single cookbook. I enjoyed reading this book and am anxious to try some of the authentic corned beef and pastrami recipes which is why I sought this particular book out.

Having this book on my Kindle has allowed me to expand my cooking repertoire to the benefit of friends and family. It is easy to use on the Kindle. Full of wonderful recipes and background information. A purchase I am happy to have made.

This book has some great Jewish deli recipes. The best one is the Chocolate Babka, Its a wonderful recipe, and comes out great each time I make it. Made 24 loaves of it to pass out at the office for Christmas (I know, I know...) and it was a great hit. Being authentic, it does ask for some hard to find ingredients at times, but does have a good resource guide to help you find them.

I'm not Jewish, but I found the recipes in this book (and the explanations) fantastic. So far, I've made the traditional and pumpernickle bagel recipes several times. The backyard pastrami is to die for - don't skip the outdoor smoked taste even if you only do it for an hour and then transfer to the oven. I'm going to try the noodle kugel next.This is not a book for those looking for quick recipes. They are easy but time consuming, as a lot of memorable cooking is. I found the added nuances intriguing and difference making - the information that you don't find in more popular, general books and blogs: milk powder in the bagels, etc. If you're going to corn beef or make bagels, then you might as well take the effort to do it right.Kudos to the authors for not trying to put in short-cuts, but instead trying to pass on time-honored traditional recipes.

This is a great book for home cooks. I probably won't bake any of the breads, but it's nice to see that the recipes are captured. For the person who was disappointed that some of the recipes are not Kosher, the authors point out that this is an "Artisan Deli' not a Kosher Deli.

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PDF Ebook Medical Terminology: A Living Language (6th Edition)

PDF Ebook Medical Terminology: A Living Language (6th Edition)

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Medical Terminology: A Living Language (6th Edition)

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About the Author

Bonnie F. Fremgen is a former associate dean of the Allied Health Program at Robert Morris College. She has taught medical law and ethics courses as well as clinical and administrative topics. In addition, she has served as an advisor for students’ career planning. She has broad interests and experiences in the health care field, including hospitals, nursing homes, and physicians’ offices. Dr. Fremgen holds a nursing degree as well as a master’s in health care administration. She received her PhD from the College of Education at the University of Illinois. She has performed postdoctoral studies in Medical Law at Loyola University Law School in Chicago. She has authored five textbooks with Pearson. Suzanne S. Frucht is an Associate Professor Emeritus of Anatomy and Physiology at Northwest Missouri State University (NWMSU). She holds baccalaureate degrees in biological sciences and physical therapy from Indiana University, an MS in biological sciences at NWMSU, and a PhD in molecular biology and biochemistry from the University of Missouri-Kansas City. For 14 years she worked full-time as a physical therapist in various health care settings, including acute care hospitals, extended care facilities, and home health. Based on her educational and clinical experience she was invited to teach medical terminology part-time in 1988 and became a full-time faculty member three years later as she discovered her love for the challenge of teaching. She taught a variety of courses including medical terminology, human anatomy, human physiology, and animal anatomy and physiology. She received the Governor’s Award for Excellence in Teaching in 2003. After retiring from teaching in 2008, she continues to be active in student learning through teaching medical terminology as an online course and writing medical terminology texts and anatomy and physiology laboratory manuals.

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Product details

Paperback: 672 pages

Publisher: Pearson; 6 edition (March 28, 2015)

Language: English

ISBN-10: 9780134070254

ISBN-13: 978-0134070254

ASIN: 0134070259

Product Dimensions:

10.8 x 8.4 x 1.1 inches

Shipping Weight: 2.8 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

245 customer reviews

Amazon Best Sellers Rank:

#47,352 in Books (See Top 100 in Books)

Overall this textbook is easy to understand and to the point which is great considering medical terminology is an entry level course and most people taking this class are new to the material entirely. The text requires almost no prior knowledge of human anatomy or anything outside of very basic human biology (ie. organ system function, understanding that the body is made up of cells etc.)Additionally, the real world applications are a great touch and the text asks you to interpret medical terminology within a mock discharge summary and explain it in lay-man's terms. This is a great incorporation of active learning.I think I was most disappointed with the Chapter Review sections. Some of the questions asked in the chapter review contain questions about phrases, abbreviations or terms that were not covered in the chapter being reviewed (or any previous chapters for that matter), so one would be unable to give the appropriate answer without utilizing google or a medical dictionary. This was quite frustrating as it was consistent throughout chapter reviews.If it wasn't for the "fluff" of random medical diagnoses within chapters that really have nothing to do with the terminology being taught and the terrible chapter review sections that have you scrambling to decode words on google , this would be a fantastic book.

I found this book to be very helpful and easy to understand; the tests and "practice as you go" sections make it easy to test your skills in both remembering medical terms, common abbreviations, and forming terms yourself. My only complaint is that it's missing a well known and serious mental illness in the corresponding section: borderline personality disorder. I understand that they can't possibly cover all ailments, but it's common enough that I feel it should be included. I'm not sure if they're missing any others, but that was one I was surprised not to see. Otherwise, it's a good book and it was a great resource to prepare me for work as a patient care technician.

Years ago I read a medical terminology book that was fabulous and very easy to understand. But, unfortunately, I lost the book during one of my many moves and I cannot remember the title. So, I ordered this book for my daughter to use in her high school medical terminology course. It looked good from the description and the reviews were positive. Unfortunately my perception of the book was not as favorable. I was not impressed. This book was poorly written and confusing. It did not break down the words as clearly and carefully as other Medical Terminology books. There was not a sequential flow nor were there adequate illustrations that reinforced the material.

I didn't buy this book brand new, but it seems like it is brand new! The book is very basic and easy to use for my class, but if you are looking for a more in-depth insight of the medical field I suggest a different textbook.

Helped me a ton. Well organized, and the exercises in each chapter really help learn the material. The exercises are slightly repetitive, which is key for solidifying long-term memory.I would recommend this book for any healthcare worker.

It's so nice reading a technical manual that does NOT have grammar and spelling mistakes in it. This book is good for learning medical terminology. I'm in a class where this is the textbook, and it teaches a lot and is easy to follow and learn from.

This book is great to get an introduction to medical school! it touches a little bit on every single subject you'd cover medical school, I kind of wish I studied this book before anything else

I ordered the 5th edition but didn't realize until later on that I received the "custom edition." In the table of contents, it says that there is "Chapter Review Answers" supposedly between the "Appendices" and "Glossary." However, the book that I received doesn't have "Chapter Review Answers." Nonetheless, it's a very good book.

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• Sales Rank: #197563 in eBooks
• Published on: 2011-09-17
• Released on: 2011-09-17
• Format: Kindle eBook

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Free Download THINK World ReligionsBy Roy R. Robson

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THINK Currency

THINK Relevancy

THINK World Religions

 

 

THINK World Religions is informed with the latest research and the most contemporary examples, allowing you to bring current events directly into your classroom with little additional work.

 

An engaging visual design developed through extensive student feedback will appeal to your students and deliver the core concepts of World Religions in a way that they can actually understand.

 

In addition, a groundbreaking instructor supplements package will help you bring the core concepts of World Religions to life without burdening your students with heavy, too dense or too expensive learning solutions. 

 

For your students, www.TheThinkSpot.com, the text's open access website, provides them with a large resource of tools to help them achieve a better grade.

• Sales Rank: #467140 in Books
• Published on: 2010-07-28
• Original language: English
• Number of items: 1
• Dimensions: 10.89" h x .51" w x 9.00" l, 1.45 pounds
• Binding: Paperback
• 336 pages

Review

"This is a satisfying, highly useful text that not only covers the standard content of a comparative religions course but also delves into interesting questions of interreligious and interideological dialogue."

-Dennis Feltwell, University of the Sciences and LaSalle University, Philadelphia PA as reviewed in Journal of Ecumenical Studies, Vol. 46, No. 1 (Winter, 2011)

About the Author

In This Section:

 

I. Author Bio

II. Author Letter

 

 

I. Author Bio

 

Roy R. Robson is Professor of History and Director of the Honors Program at University of the Sciences in Philadelphia. He teaches courses on modern Europe, Russia, and world religions. His interdisciplinary teaching includes “Intellectual Heritage: Time” and “Views of the Cosmos." Robson writes extensively on Russian history and world religions. His last book, Solovki, won praise from the New Yorker, The Times (London), Condé Nast Traveler, and the Journal of Modern History. Robson serves as the series editor on Orthodox Christianity for Northern Illinois University Press. This year, the National Endowment for the Humanities honored the University’s Intellectual Heritage program by granting Dr. Robson a fellowship to expand his course on Time. Dr. Robson is president-elect of the Southern Conference on Slavic Studies, the largest regional association of Slavic scholars in America.

 

 

 

I. Author Letter

 

Dear Colleagues,

 

Over the past year, I’ve started to call Think World Religions the "anti-textbook." The term came to me, frankly, after a very tough reader review on Amazon.com. In it, a professor said that TWR was not a true textbook because it lured students with bright graphics, bold photographs, and a magazine format.

 

After losing a couple of nights sleep, I decided to respond. I sent the professor a heads-up that I would be replying, asked for feedback on ways to improve the book, and posted a response online. As I wrote about TWR, I realized that the reviewer was right. My goal all along has been to create a new kind of textbook: lively, accessible, affordable, and true to a spirit of dialog. Thus—the "anti-textbook."

 

As a scholar of lived religion focusing on Orthodox Christianity, I seek ways to help students understand how religion interacts with every aspect of human life. Theology and ideology are important. So are relations of power, domination, and revolution. But to me, those cannot take the place of colors, smells, movements, bodies, music, and art that infuse sacred experiences for people around the world.

 

With those ideas in mind, I have written TWR with some traits unusual for world religion textbooks. My prose is unabashedly personal, I tell stories about my experiences and my work. By keeping the prose anecdotal, active, and narrative, I hope students will consider TWR to be one voice in a conversation that includes me, them, and people around the world.

 

In the introduction, I describe TWR as a guidebook. No textbook is truly encyclopedic, and I hope that students will see this text pointing them toward their own learning rather than pretending omniscience. In asking students to consider football (especially my beloved Pittsburgh Steelers) as a form of religion, TWR acknowledges how difficult it can be to define and discuss religion.

By asking the same four questions to each sacred tradition, TWR offers students a path toward comparison and analysis. Photographs and diagrams consistently enhance critical thinking and discussion. How, for example, might a Greek Orthodox cross, a medieval Spanish crucifix, and a Chagall painting of the Crucifixion offer different visions of Christianity?

 

By including both sacred places and contemporary problems, TWR helps students to see the sacred all around them, part of both their own landscape and that of foreign lands.

 

As I wrote the first draft of each chapter, I asked my Honors Introduction to World Religions class to read and comment on the text. That dialog helped me to create Think World Religions, and I hope that you and your students will continue that conversation.

Please do contact me if you have any questions, comments, or improvements for Think World Religions. My email address is r.robson@usciences.edu.

 

Sincerely

 

Roy R. Robson

 

University of the Sciences

 

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