Selasa, 29 April 2014

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Elmer Bischoff: The Ethics of PaintBy Susan Landauer

Elmer Bischoff (1916–1991) is generally regarded as one of the leaders among the artists in the San Francisco Bay Area who, after contributing to the local emergence of Abstract Expressionism during the 1940s and 50s, shifted the terms of their spectacularly sensuous brushwork to recognizable imagery. Bill Berkson writes that if "David Park was the classicist of the founding triad of the Bay Area Figurative painters, and Richard Diebenkorn the modernist, Bischoff was the romantic." Designed to accompany a major retrospective of Bischoff's work, this superb volume is lavishly illustrated with duotones and color plates that faithfully capture the subtle variations in shade that characterize the painter's oeuvre. Berkson and Susan Landauer, both of whom knew Bischoff, provide the definitive view of the life, art, and teaching career of this important artist.

Native to the Bay Area, Bischoff studied at the University of California under the "Berkeley School" modernists Worth Ryder, Erle Loran, and Margaret Peterson. His experience during World War II profoundly affected his view of the world and his place in it. In 1946, Bischoff joined the faculty of the California School of Fine Arts where--with colleagues Edward Corbett, Richard Diebenkorn, Claire Falkenstein, David Park, Ad Reinhardt, Mark Rothko, Hassel Smith, and Clyfford Still--he found himself at the hub of avant-garde expression in the Bay Area. Throughout his career, Bischoff applied his visual intelligence and unusual personal integrity in creating a uniquely varied body of work that invites our investigation.

Having interviewed many of the artist's surviving colleagues and family members, Landauer offers valuable primary documentation on Bischoff, the Bay Area Figurative School, and the cultural history of the Northern California art scene. Her lively text is supported with insightful research into the social and political background of the period. She considers Bischoff's career in relation to the European artists who influenced him, his interactions with his local contemporaries, and his reactions to the New York art scene. A useful chronology of the artist's life, a bibliography, and documentary photographs that Landauer uncovered during her research make this volume an invaluable resource for anyone interested in the artistic vision of Elmer Bischoff.

  • Sales Rank: #1130061 in Books
  • Published on: 2001-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .63" w x 8.50" l, 1.93 pounds
  • Binding: Paperback
  • 275 pages

From the Inside Flap
"Elmer Bischoff is one of the small handful of truly fine artists at mid-century and beyond working in Northern California. His art is of national importance. In Susan Landauer he has the author who can bring his life and art to us."—Walter Hopps, Twentieth Century Curator, The Menil Collection

"This first substantial monograph on Elmer Bischoff offers a warm appraisal of a deacon of West Coast painters, justly celebrated for his lifelong navigation of the "tightrope" between abstract painting's sensual materiality and the ethical implications of a figurative art. Susan Landauer meets her own high standards of nuanced social history, and Bill Berkson's brief introduction is studded with gems."—Caroline Jones, author of Bay Area Figurative Art

"Susan Landauer’s new monograph is a welcome addition to Twentieth Century Bay Area art history. She is a specialist, who explores the life and work, attitudes and ideals of this important artist, his European and American influences, in parallel with those of his famous colleagues, Richard Diebenkorn and David Park. She brings historical understanding and esthetic subtlety to the study as she digs into the artist’s esthetic and educational philosophy, the relation between painting and improvised jazz, temporary blocks and personal crises, as well as his complete reinventions of his drawing and painting. All this is set in the context of the life of art in the Bay Area community (1940-1990) and results in a readable work of value to professionals while remaining accessible to more casual readers."—Gerald Nordland, author of Richard Diebenkorn

From the Back Cover
"Elmer Bischoff is one of the small handful of truly fine artists at mid-century and beyond working in Northern California. His art is of national importance. In Susan Landauer he has the author who can bring his life and art to us."--Walter Hopps, Twentieth Century Curator, The Menil Collection

"This first substantial monograph on Elmer Bischoff offers a warm appraisal of a deacon of West Coast painters, justly celebrated for his lifelong navigation of the "tightrope" between abstract painting's sensual materiality and the ethical implications of a figurative art. Susan Landauer meets her own high standards of nuanced social history, and Bill Berkson's brief introduction is studded with gems."--Caroline Jones, author of "Bay Area Figurative Art

"Susan Landauer's new monograph is a welcome addition to Twentieth Century Bay Area art history. She is a specialist, who explores the life and work, attitudes and ideals of this important artist, his European and American influences, in parallel with those of his famous colleagues, Richard Diebenkorn and David Park. She brings historical understanding and esthetic subtlety to the study as she digs into the artist's esthetic and educational philosophy, the relation between painting and improvised jazz, temporary blocks and personal crises, as well as his complete reinventions of his drawing and painting. All this is set in the context of the life of art in the Bay Area community (1940-1990) and results in a readable work of value to professionals while remaining accessible to more casual readers."--Gerald Nordland, author of "Richard Diebenkorn

About the Author
Susan Landauer is Katie and Drew Gibson Chief Curator at the San Jose Museum of Art in San Jose, California. She is the author of The San Francisco School of Abstract Expressionism (California, 1996) and California Impressionists (1996). Recent exhibitions curated by Landauer include Contemporary Devotion; the Lighter Side of Bay Area
Figuration; Breaking Type: the Art of Karl Kasten; and The San Francisco
School of Abstract Expressionism, which won two major awards from the International Association of Art Critics. Bill Berkson is a writer and poet whose work appears in Facing Eden (California, 1995) and Homage to Frank O'Hara (1988).

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Selasa, 22 April 2014

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  • Sales Rank: #132361 in Books
  • Published on: 2010-01-12
  • Binding: Audio CD

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Kamis, 17 April 2014

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“This book is an essential reference for scholars and students from a wide array of fields represented by Latin American and cultural studies. It provides highly authoritative entries on most of the major topics of the day.”—Ignacio M. Sánchez Prado, author of Naciones Intelectuales “This text represents a fantastic resource as well as an excellent pedagogical tool for the diffusion of the main tenets of cultural studies among students and among scholars who are not specialists in Latin American cultural studies.”—Ana Del Sarto, coeditor of Latin American Cultural Studies Reader “A dictionary is a book to ask questions of. Not only what each word means but also why some are present and others are absent, and how the presences and the absences are connected. Irwin and Szurmuk’s Dictionary exhaustively registers the sources and lines of development of the studies of culture in Latin America.” — Néstor García Canclini, writing in En torno a los estudios culturales  The Dictionary of Latin American Cultural Studies is a fundamental reference for students, pedagogues, and investigators interested in understanding the terminology of the field.
           
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  • Sales Rank: #3150204 in Books
  • Published on: 2012-02-26
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.20" w x 6.20" l, 1.50 pounds
  • Binding: Hardcover
  • 398 pages

Review
“A wide-ranging resource of information on a geographic area that has hitherto received less attention than it deserves.”—Reference Reviews

About the Author
Robert McKee Irwin, chair of the Cultural Studies Graduate Group and professor of Spanish at the University of California–Davis, is the author of Bandits, Captives, Heroines, and Saints: Cultural Icons of Mexico’s Northwest Borderlands. Mónica Szurmuk, research professor in social and cultural history at Instituto Mora in Mexico City, is the author of Women in Argentina: Early Travel Narratives.

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Rabu, 16 April 2014

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  • Sales Rank: #72971 in Books
  • Brand: Brand: Saunders
  • Published on: 2013-03-28
  • Original language: English
  • Number of items: 1
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Jumat, 11 April 2014

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  • Amazon Sales Rank: #1505614 in Books
  • Published on: 1990-04-19
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 256 pages

About the Author With doctorates in anthropology and ethology and additional degrees in botany, chemistry, geology, geography, marine biology, and ecology, Lyall Watson logically investigates illogical events. He is the author of numerous books, including the best-selling Supernature, Gifts of Unknown Things, and The Dreams of Dragons.

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Selasa, 08 April 2014

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The Competitive ArcherBy Simon Needham

The Competitive Archer provides practical advice to archers showing them a path to success in their competition performance, taking them from keen weekend competitors to top athletes in the world arena.

  • Sales Rank: #911758 in Books
  • Brand: Brand: Crowood Press
  • Published on: 2013-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 7.50" w x .50" l, 1.35 pounds
  • Binding: Paperback
  • 224 pages
Features
  • Used Book in Good Condition

About the Author
Simon Needham was in the Royal Marines for 22 years, has been involved in archery for 40 years, and has been shooting competitively since 1989. He has represented Scotland at archery since 1989, culminating in representing his adoptive country in 2010 at the Commonwealth Games in Delhi and Great Britain from 1997-2008. He competed at the Sydney Olympics in 2000, ranking 7th at the World Championships in 2001, with 12th being his best world ranking.

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The Competitive ArcherBy Simon Needham PDF

The Competitive ArcherBy Simon Needham PDF

The Competitive ArcherBy Simon Needham PDF
The Competitive ArcherBy Simon Needham PDF